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The Rocky Horror Show. It is the play on which the movie was based.
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The RHS was a play, written in six months by Richard O'Brien, with the working title "They Came from Denton High." The title was changed to "The Rock Hor-Roar Show", and eventually to "The Rocky Horror Show". The first preview was on June 16, 1973, at The Royal Court Theatre Upstairs in London, England. After a short while, it was moved from the 60-seat Upstairs theatre to the Classic Cinema, a converted movie house with 270 seats, and then to the King's Road Theatre, which seats 500. It was named Best New Musical of 1973 by "Plays and Players"' annual poll of theater critics, and best musical of 1973 by the "Evening Standard"'s panel of drama critics.
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The show continued to play in London for a total of 2,960 performances, finally closing Sept. 13, 1980.
About ten months into the run, Lou Adler (who had recently opened the Roxy club in Los Angeles, California) saw the musical (on a night Richard O'Brien was playing Frank) and brought it to The United States - at the Roxy. The show's first preview was March 19, 1974. In 1975, it was made into the movie. As a promotion for the movie, it also had a (disastrous) run on Broadway from March to April of 1975, closing after only three previews and 45 performances.
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Note: Links in this section are to entries in the Internet Movie Database
London (The Theatre Upstairs) - June 19, 1973
Dr. Frank-N-Furter......................Tim Curry
Janet Weiss.............................Julie Covington
Brad Majors.............................Christopher Malcolm
Riff-Raff...............................Richard O'Brien
Magenta/Usherette.......................Patricia Quinn
Columbia................................Little Nell
Eddie and Dr. Everett Scott.............Paddy O'Hagan
Rocky Horror............................Rayner Bourton
Narrator................................Jonathan Adams
Los Angeles (Roxy) - March 21, 1974
Dr. Frank-N-Furter......................Tim Curry
Janet Weiss.............................Abigail Haness
Brad Majors.............................Bill Miller
Riff-Raff...............................Bruce Scott (now known as "Zahariades")
Magenta and Usherette...................Jamie Donnelly
Columbia................................Boni Enten
Eddie and Dr. Scott.....................Meatloaf
Rocky Horror............................Kim Milford (RIP)
Narrator................................Graham Jarvis
New York (Broadway) - March 10, 1975
Dr. Frank-N-Furter......................Tim Curry
Janet Weiss.............................Abigail Haness
Brad Majors.............................Bill Miller
Riff-Raff...............................Richard O'Brien
Magenta and Usherette...................Jamie Donnelly
Columbia................................Boni Enten
Eddie and Dr. Scott.....................Meatloaf
Rocky Horror............................Kim Milford (RIP)
Narrator................................William Newman
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Too many to mention. It's been going on pretty much continuously in England since 1973, and hundreds of productions have surfaced around the world, many of them producing interesting (and often quite good) cast recordings.
If you want to know about the actors in previous productions, a good place to start would be http://www.castsofthepast.freeserve.co.uk/. It's somewhat tilted towards UK productions, but it's the only site we know of dedicated to former RHS actors.
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The only ones still in wide-scale production are the Original London and the Original Roxy (both with Tim Curry). The Broadway cast recorded a soundtrack album, which came out May 15, 2001. Try your favorite music store for these. There are also many interesting foreign casts available (some in English, some not). For information on how to get these recordings, go to http://www.rockymusic.org/index.html. They have more information than you probably wanted (lyrics in Icelandic, anyone?) and include liner notes, reviews, photos, and direct links to sites which sell some of the recordings. A good source for some of the harder to find foreign recordings (Finnish, Danish, etc.) is http://www.darkrefrain.com, run by Bruce Cutter.
Many fans collect various sound recordings of Rocky, so ask around on the net, or inquire within your local cast. These most likely won't be originals, but they're a start, and several recordings are unavailable or out of print. For a sampler of various international recordings, try the "Rocky Horror International" album from the 15th Anniversary Box Set (out of print, but well worth hunting for), or the 2000 Rocky Horror Anthology Import (which includes tracks from "Rocky Horror International").
If the recording you're looking for is out of print (or you like vinyl), just keep looking. Maybe someone is selling one at a garage sale; perhaps one is piled with all the used records at a music store. There are periodic auctions announced on the newsgroup alt.cult-movies.rocky-horror or on http://www.ebay.com, although some prices have gotten very steep (in the hundreds of dollars for soundtracks like the Mexican, or Norwegian). (==>WARNING: Know what you are doing before you bid on eBay! You will save a lot of money if you comparison shop for a while before jumping right in; it is very easy to pay far too much for some "RARE" item that really isn't.<==)
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Oh, yes! (Where have you been? It played on Broadway from October 2000 through January 2002.) In England, it's performed regularly, and many casts will spring up around the world for brief runs of the show. The play seems to be being staged more often recently...the European tour has been going on since at least 1995 (mostly in Germany), and productions are popping up around the United States, especially around Halloween. Maybe half of the productions are done by college theater departments.
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The best way to see how the movie differs from the play, of course, is to either read the original script or go see the play. Sal sells xeroxed copies of the script which include interesting production notes. You can also get inexpensive reading copies of the script from:
Samuel French, Inc. / 45 West 25th Street / New York, NY 10010 / (212) 206-8990
http://www.samuelfrench.com/
Please note that the script is still evolving, so the text may vary depending on which version of the script you get.
Here are general descriptions of some of the significant and interesting differences, inspired by Joe Blevins. Also refer to History of the RHPS to see what changes were made to the songs for the movie. Please note that many productions in the US deliberately copy the film and do things movie-style, often omitting songs, adding and shuffling scenes, and copying the costumes and blocking, so you may not see these differences if you watch the play in the US.
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Usually, but not always. Some stage productions encourage AP, or even sell prop kits. Some want AP but are horrified at the idea of people throwing rice. Some productions will run you out on a rail if you just get up to Time Warp. Almost all productions welcome patrons who attend in costume. ASK.
There are two schools of thought here. Some (including the FAQ's original author) feel that the play should be left as the brilliant piece of art that it is, and that the AP should be limited to the film. (This is nice in theory, but never seems to happen in practice.) Some feel that AP adds to the production. In either case, you're liable to encounter it.
Audience Participation at the play is the norm in countries where RHS runs continuously (such as England). In fact, in these places, the play is usually more popular (and easier to find) than the movie, and is the place to go to learn all the new AP lines. If you attend the play in the US, the production will probably be strongly influenced by the film, and thus include AP, sometimes provided by the actors.
If you are planning on doing AP at a production of the RHS, please call first and find out what kind of AP they will accept. And please watch the play once before trying AP; the timing is different and otherwise you'll look like an idiot. Please do not yell movie lines that don't fit at the play, like "neck" lines at the Criminologist. In fact, it's usually best to avoid yelling Crim lines at all unless you know the monologues well; his lines are probably the most different from the film's of any of the characters.
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Well, unless you've been hiding under a rock, you probably knew the show was playing on Broadway (it's over now, sorry). Broadway.com did a lot of coverage.
Keep your eyes and ears peeled wherever you go. Ask around at your local RHPS production, and periodically check the newspapers. You can also subscribe to Crazed Imaginations, a Rocky Horror fanzine which (among other things) prints information on upcoming productions and writeups on current shows. Email Ruth Fink-Winter [who edits the darn thing as well as this FAQ and apologizes for the conflict of interest] for more information.
Sometimes people will advertise on alt.cult-movies.rocky-horror, and show information is often posted at theater sites such as http://www.theatremania.com/, http://www.broadway.com/, or http://www.americantheaterweb.com/. In fact, there's even a site now with nothing but listings of the Rocky Horror Show in the US and Canada, compiled by fans: http://www.rockyshows.net. (For UK and European dates, visit the Rocky Horror Company's official website at http://www.rockyhorror.co.uk/)
The occasional search on the World Wide Web for keywords "Rocky Horror Show" and "ticket" may pay off. (The "ticket" keyword should help you home in on current productions.) Keep hunting, and remember, a good production is well worth a drive of an hour or two (at least) for the serious fan. And if you do find out about it, for heaven's sake announce it to the newsgroup so the rest of us can go!
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Samuel French, Inc. / 45 West 25th Street / New York, NY 10010 / (212) 206-8990
http://www.samuelfrench.com/
The procedure is much the same as for any stage production (you must provide information as to ticket prices, number of performances, seating capacity, musical arrangements, and so on). Until very recently, only professional theatre companies were able to obtain the rights. However, in March 2000, they were released for amateur productions in North America, too.
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Keep in mind, famous is relative.
Section last modified Friday, 04-Apr-2003 22:31:13 EST